- The Hindu Photograph by Anu Oommen
- The Hindu Photograph by Nias Marikar
- The Hindu Wedded bliss. Photograph by Sanoj
Weddings have become events and wedding albums have morphed into slick, stylish magazine look alikes
All set for her wedding, Malini V. didn’t want the
conventional wedding photographs or album. She wanted the photography to
be ‘candid’. She shopped around and found the photographer for the
wedding. The bride’s anxiety, the expression of bitter-sweet joy on
parents’ faces as they bid their little girl adieu, a look exchanged
between the newly married couple...these are some candid moments which
are not found in a conventional wedding album. She got these and some
more in a slick wedding album. The best part is that her album is
unique.
When weddings became ‘events’, wedding
photography became specialised. The idea is not to miss a single ‘event’
associated with a wedding. Dedicated crews of photographers end up
creating a snazzy magazine-like wedding album. The beauty of candid
photography is that each album will be different and unique. The wedding
photographer is a much-in-demand entity. Gone, by the way, is the few
kilos heavy tome that used to be the wedding album of yore, which had a
charm of its own.
In Sanoj Kumar K.R’s (of 123
Wedding Album) studio, graphic designers are busy at work. He gets a
frantic call from Kothamangalam asking if a wedding album is ready. “The
groom is leaving for Australia today. He wants to take it with him,”
Sanoj says. The specialist wedding photographer is waiting for the
printed album to arrive. He has shot some high profile weddings in
Kerala and West Asia.
Exposure to social media and
travelling abroad are the two factors that have led to this kind of
interest and investment in wedding photography. “Money is not an issue,”
he says, which is why he gets invited to shoot weddings abroad. A
wedding album is, after all, forever.
Wedding
photography got ‘candid’ around three to four years back. Posed is passé
and natural is in. Nias Marikar, a fashion photographer who ‘also’
shoots weddings, says that the photographs ought to capture the feel of
what is going on.
Of the candid brand of wedding
photography, he says, “it shouldn’t be obtrusive and the photographer
should be a part of the show but never control the event. Both have to
be invisible.” Candid photography captures people unawares and that
naturalness lends a charm to the photos. Some of the moments captured
are priceless. The photographs depend on the photographer’s eye and that
is a chance prospective brides or grooms are willing to take. Hari
Menon of YNot Frames, for instance, is choosy about what he shoots. But
his clients trust him. And trust is crucial, the photographers aver. For
the wedding photographer, it is all in the telling.
Nias
goes with a ‘minimum crew’ of three photographers and “depending on the
size of the wedding” it can go up to eight (assistants included).
Depending on the number of cameras used, weddings are classified as
two-cam, three-cam etc. Anu Oommen, another specialist wedding
photographer, works with a crew of 12 to 18 people (“depending on the
size of the wedding”). We are not even talking about videography. Anu’s
clients are primarily NRIs.
The photographer starts
early. Anu, for instance, starts very early. Even before the bridal
make-up starts. The effort is to capture images of the transformation.
The main photographers shoot the ‘main’ events and family and other
photographers in the team capture the sidelights. A wedding shoot is
finalised after a series of discussions and meetings between clients and
the photographers. It is either word of mouth publicity or the Net
(social media ) that leads to a photographer being chosen.
Since
the photography has become competitive, the equipment too is important.
Nias shoots with the Hassleblad camera and Anu uses 14 mm wide lens.
None of the photographers commits to a rate. Going by what they say, the
bill can be anything upwards of Rs. 50,000 to a couple of lakhs. Some
photographers charge page wise (Rs. 600-1,000 per page) and others
charge by the day which goes up to Rs. 45,000 to a lakh (exclusive of
the album).
Once the shoots are done, the photographs
are shown to the families. The selection done, the wait begins. The
wait can go up to three months. Nias says if it is not too busy a time
he gives the album in 10-15 days, same goes for Sanoj while for Anu it
goes up to “at least two months.” Until then CDs containing some
pictures are given to the family. Some photographers do the layout of
the album in-house while others outsource the work.
In
the albums everybody, especially the bride and groom look perfect. Are
these the wonders of ‘photoshopping’? Sanoj says, “Everybody wants to
look perfect on the most important day of their lives. And an album is
for keeps… Years later, they should feel happy when they see it. Isn’t
it?” True. Don’t we all love picture perfect happily ever afters?
It
is not just a wedding that is covered. In the old days, the newly
married couple would be spirited away to various ‘photogenic’ corners of
the venue for after-ceremony photographs. These days it is to different
destinations. In Kochi it could be Bolgatty Palace or Marine Drive or
Cherai. Then there are the destinations like Munnar and Wagamon.
Sometimes a day is kept aside for these.
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